{"title":"Catalog","description":"","products":[{"product_id":"nick-piombino-the-boundary-of-theory","title":"Nick Piombino : The Boundary of Theory","description":"\u003cp\u003e\u003cem\u003eThe Boundary of Theory\u003c\/em\u003e consists of two parts. The first is an essay Piombino presented in Charles Bernstein's \"Blank Seminar\" on September 28, 2000. After class, Piombino joined Christian Bok, Darren Wershler-Henry, Thom Donovan, Bernstein and me for dinner at Scotch n' Sirloin. A few days later, he generously agreed to continue the conversation by way of an e-interview which is published here under the title \"The Boundaries of Memory.\"\u003cbr\u003e\u003cbr\u003eThe cover was handset in 36 pt. Century Schoolbook and printed letterpress. Fifty copies were privately distributed for free and the remaining copies were delivered to the poet in spring 2001. Edition of 100 copies.\u003cbr\u003e\u003cbr\u003ePAPERBACK. 5x7 inches. 32 pages. 2001.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900534005819,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/The-Boundary-Of-Theory_3942.jpg?v=1591070130"},{"product_id":"patrick-durgin-color-music","title":"Patrick Durgin : Color Music","description":"\u003cp\u003e\u003cem\u003eColor Music\u003c\/em\u003e is a multiple, subtle text and an unambiguously beautiful book, vivdly white and red. \"abandoned on all sides\/by the snow\"\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e— Laura Moriarty\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe text was handset in 12pt. Palatino and printed in five colors on handmade Zerkall German Ingress. The silk-screened images were designed and assembled by Eric Troolin. Produced in an edition of 100.\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePAPERBACK. 6.5x11 inches. 24 pages. 2002.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900651937851,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Color-Music_4045.jpg?v=1591070209"},{"product_id":"derek-beaulieu-with-wax","title":"Derek Beaulieu : With Wax","description":"\u003cp\u003e\u003cem\u003eWith Wax\u003c\/em\u003e is a selection from the author’s book of the same title published by Coach House in 2003. Typeset in Petpetua, the oversized softcover edition was printed letterpress and bound by hand in Fabriano coverstock.\u003c\/p\u003e\n\u003cp\u003eThe hardcover edition is lettered and signed by the author, and printed on 100% cotton sheets with ink “slung” by the printer and poet. The pages are secured by an open binding with a suede label pasted to the black cloth-covered cover. Paperback edition: 100. Hardcover edition: 26. \u003c\/p\u003e\n\u003cp\u003ePAPERBACK AND LIMITED EDITION HARDCOVER. 9.75x12 inches and 11.5x15.25, respectively. 8 pages. 2002.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900665176123,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/With-Wax-hardcover_4097.jpg?v=1591070330"},{"product_id":"david-pavelich-outlining","title":"David Pavelich : Outlining","description":"\u003cp\u003e\u003cspan\u003eOne hundred copies of outlining were printed on a Vandercook 4 by Kyle Schlesinger in May of 2003.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003ePAPERBACK. 4x6 inches. 16 pages. 2003.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900711280699,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Outlining_1-1.jpg?v=1591070697"},{"product_id":"kyle-schlesinger-a-book-of-closings","title":"Kyle Schlesinger : A Book of Closings","description":"\u003cp align=\"left\"\u003eWhere Schlesinger’s unerring instincts are most evident, we encounter cards that repeat themselves, with variation, to draw us into the specifics of pronouns or punctuation the way that great poems do, so that with slight shifts, our attentions and the possibilities for reading into the lines are energized.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" align=\"left\"\u003e— Sarah Campbell\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cem\u003eA Book of Closings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a chronological arrangement of “closings” extracted from Irving Layton \u0026amp; Robert Creeley: The Complete Correspondence, 1953-1978, edited by Ekbert Faas and Sabrina Reed. The text was set by hand and printed letterpress at the Kunstlerhaus Bethanian in Berlin, Germany. 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Printed DocuTech and perfectbound. Designed by Kyle Schlesinger in the spring of 2004 in Buffalo, NY. Edition of 200.\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePAPERBACK. 50 pages. 5.25x8.75 inches. 2004.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900737790011,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Dure_3985.jpg?v=1591070964"},{"product_id":"andrew-levy-scratch-space","title":"Andrew Levy : Scratch Space","description":"\u003cp\u003eJonh Cage liked best “art that is incomprehensible (Joyce and Duchamp) and… art that is too nose on your face (Satie).” Andrew’s poems seem at once to have both these qualities. “Such artists,” wrote Cage, “remain forever useful… in each moment of our daily lives.”\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Jackson Mac Low\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cem\u003eScratch Space\u003c\/em\u003e was printed and published on the occasion of Andrew Levy’s reading in Buffalo, New York on April 21, 2004 in the Wednesday @ 4 Plus Series. The cover was printed letterpress (and in some cases, silkscreened as well), while the text is set in 12 pt. Palatino printed by a DocuTech. Copies were distributed for free at the reading. Handsewn with variant bindings. Produced in an edition of 100 copies.\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePAPERBACK. 6.75x8.5 inches. 16 pages. 2004. \u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900761284667,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Scratch-Space_4043.jpg?v=1591071213"},{"product_id":"ron-silliman-woundwood","title":"Ron Silliman : Woundwood","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWoundwood\u003c\/em\u003e\u003cspan\u003e is Silliman’s 25th book and the first publication from Cuneiform to combine offset printing, photopolymer plates and handset type. Fabriano dustjacket with wrap-around image (each one a little different), handsewn into sturdy black cover. The text is set in Perpetua and printed offset on 100% cotton sheets. 250 paperback copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned and assembled by Kyle Schlesinger in the Winter of 2004.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePAPERBACK. 5x7.5 inches. 16 pages. 2004.\u003cbr\u003e\u003c\/span\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900764627003,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Wound-Wood_4022-1.jpg?v=1591071256"},{"product_id":"alan-loney-mediatio-the-printer-printed-manifesto","title":"Alan Loney : Mediatio: The Printer Printed: Manifesto","description":"\u003cp\u003eAlan Loney — poet, writer and hand printer — is a fine communicator and a superb craftsman who has found fulfillment since moving to Australia from New Zealand in 2001. Fortunately, Alan has reconsidered his earlier decision to no longer create hand-printed works, and this thoughtful essay asks many questions about what is involved in being committed to the “old technology.” \u003cem\u003eMeditatio\u003c\/em\u003e is a graceful reconsideration of the role of typography in relation to art, the reader, and the world of the book and reading.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e— Penny Griffith\u003c\/p\u003e\n\u003cp align=\"left\"\u003eAs Steve Clay notes in his introduction, this book is sure to take its place among landmark titles such as Clifford Burke’s \u003cem\u003ePrinting Poetry\u003c\/em\u003e (1980) and Harry Duncan’s \u003cem\u003eDoors of Perception\u003c\/em\u003e (1983). This book is essential reading for book artists, printers and poets alike.\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePAPERBACK. 5.25x8.75 inches. 44 pages. 2005.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900768264251,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Meditatio..._4072.jpg?v=1591071293"},{"product_id":"kyle-schlesinger-moonlighting","title":"Kyle Schlesinger : Moonlighting","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIf \u003cem\u003eMoonlighting\u003c\/em\u003e posits a metapolitics of sense, it is also a daybook of felt enjoyments, relations, percepts, thoughts, facts, emotions and other actualities engendered in linguistic grappling. 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This is a full, heartening book.\u003c\/p\u003e\n\u003cp align=\"left\" style=\"text-align: right;\"\u003e— Bill Berkson\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe image on the cover is a chalkboard rendering of Biglieri Syndrome by endocrinologist Edward Biglieri. The poem was typeset in Scotch by Kyle Schlesinger in the winter of 2006. The display font Dada Pro from P22. Offset printing on Mohawk Superfine Ultrawhite Eggshell. Edition limited to 500 copies.\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePAPERBACK. 5x9 inches. 100 pages. 2005.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900779241531,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Sleepy-with-Dein-O-Cracy_4177.jpg?v=1591071414"},{"product_id":"gil-ott-the-amputated-toe","title":"Gil Ott : The Amputated Toe","description":"\u003cp\u003e\u003cem\u003eThe Amputated Toe\u003c\/em\u003e was produced in memory of the friend, poet and publisher Gil Ott. 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Bound in purple cloth-covered board with Japanese side stitch binding. Edition of 50 copies.\u003c\/p\u003e\n\u003cp\u003eHARDCOVER. 10x6.5 inches. 30 pages. 2005.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33900783370299,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/The-Amputated-Toe_4034.jpg?v=1591071462"},{"product_id":"sarah-campbell-i-have-imagined-a-center-wilder-than-this-region-a-tribute-to-susan-howe","title":"Sarah Campbell : I Have Imagined a Center \/\/ Wilder Than This Region: A Tribute to Susan Howe","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith the intent of marking and celebrating Susan Howe’s years of teaching, the contributors to this volume were asked specifically to comment on her pedagogy and their experiences of being her student at the State University of New York at Buffalo where she taught from 1988 – 2007.\u003c\/p\u003e\n\u003cp\u003eContributors include: Nathan Austin, Sarah Campbell, Barbara Cole, Richard Deming, Thom Donovan, Logan Esdale, Zach Finch, Graham Foust, Benjamin Friedlander, Peter Gizzi, Jena Osman, Kyle Schlesinger, Jonathan Skinner, Juliana Spahr, Sasha Steensen, and Elizabeth Willis. 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An inspired challenge and a delight.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e— Ron Padgett\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThough his poetry always bares the honest song of a fragmented accumulation, the float of our existence, here Ted reveals an exposition of tender, romantic suchness amidst rhythmic refrains classically structured and filled with sunlight and place, the vulnerable underbelly of his Arcadian being is unveiled.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" align=\"left\"\u003e— Nathanial Dorsky\u003c\/p\u003e\n\u003cp align=\"left\"\u003eJust read the fucking book.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" align=\"left\"\u003e— Tom Raworth\u003c\/p\u003e\n\u003cp align=\"left\"\u003eTed Greenwald was born in Brooklyn, raised in Queens, and has lived in ew York City his entire life.\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cem\u003e3 \u003c\/em\u003ewas typeset in Jan Tschichold's Sabon LT and LTC Bodoni Bold drawn by Dave Ferry. 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Continuing in the tradition of New York School collaboration, Schneeman and Berkson's \u003cem\u003eTed Berrigan\u003c\/em\u003e is a high-quality reproduction comprised of eight spreads where image and text fuse, bleed off the page and cross the gutter. It also includes an afterword by Berkson and a note from the publisher. Handsewn, the dimensions are true to the original. Edition limited to 500 copies.\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 10x13 inches. 24 pages. 2009.\u003cbr\u003eNo ISBN.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33916775202875,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Ted-Berrigan_4119.jpg?v=1591372249"},{"product_id":"various-authors-on-contemporaries-2","title":"Various Authors : On Contemporaries 2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eON: CONTEMPORARY PRACTICE is a poetics journal. The second issue includes essays by Rosa Alcala, Stan Apps, Cara Benson, David Brazil, Laynie Brown, CA Conrad \u0026amp; Brenda Iijima, Corina Copp, Michael Cross, Robert Dewhurst, Thom Donovan, Patrick James Dunagan, Joel Felix, Robert Kocik, Chris Martin, C.J. 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He is the author of two dozen collections of poetry, including \u003cem\u003eTunes \u0026amp; Tens \u003c\/em\u003e(Roof, 2025), \u003cem\u003eQuarantina\u003c\/em\u003e (Lavender Ink, 2022), \u003cem\u003eThought Balloon \u003c\/em\u003e(Roof, 2019), \u003cem\u003eLeaves of Class\u003c\/em\u003e (Chax, 2017), \u003cem\u003eMarine Layer \u003c\/em\u003e(BlazeVOX, 2015) and \u003cem\u003eThe Messianic Trees: Selected Poems, 1976-2003\u003c\/em\u003e (Adventures in Poetry, 2009). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePAPERBACK. 6x9 inches. 92 pages. 2010.\u003cbr\u003eISBN: 9780982792636\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33916782215227,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Determination_3829.jpg?v=1591372409"},{"product_id":"michael-cross-haecceities","title":"Michael Cross : Haecceities","description":"\u003cp\u003eIn \u003cem\u003eHaecceities\u003c\/em\u003e, Michael Cross has made an interim language, his invention a relation between the words—as if this unknown relation or 'noumenon' is 'a hide enthinned' of futuristic Elizabethan single words each at once tactile, optical, aural simultaneously traces and events of reinterpreted future-present spurred in 'the many hundred wing-lit hives'\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Leslie Scalapino.\u003c\/p\u003e\n\u003cp align=\"right\" style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMichael Cross’s critically acclaimed debut, \u003cem\u003eIn Felt Treeling: A Libretto\u003c\/em\u003e, was published by Chax Press in 2008. \u003cem\u003eHaecceities\u003c\/em\u003e is his second collection of poetry. He is the editor of  The George Oppen Memorial Lectures at San Francisco State University (forthcoming). Cross lives in Oakland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"right\" style=\"text-align: left;\"\u003ePAPERBACK. 7.25x10.75 inches. 92 pages. 2010.\u003cbr\u003eISBN: 9780982792643\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33916783820859,"sku":"","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Haecceites_4194.jpg?v=1591372466"},{"product_id":"alan-loney-the-books-to-come","title":"Alan Loney : The Books to Come","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOf Alan Loney’s long-anticipated collection of essays entitled \u003cem\u003eThe Books to Come\u003c\/em\u003e, Johanna Drucker has written: “Few people have mused with such imagination on the topic of the book as Alan Loney does in this volume. His reflections distill a lifetime of practice and reading, of knowing books and living with and around them. His thoughts about libraries, writing, texts, the codex, printed books, the artist’s book, fine press traditions, and bibliography are at once philosophical and poetical. Though writing in the tradition of Mallarmé, Jabès and Blanchot, Loney’s sensibility is contemporary and original, informed by his practice as a printer and a profound engagement with books as expressive objects and objects of contemplation.\" Foreword by Jenni Quilter. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eAlan Loney\u003cspan\u003e was a poet, handpress printer, and writer on the nature of the book. Recent poetry includes \u003c\/span\u003e\u003cem\u003eCrankhandle\u003c\/em\u003e\u003cspan\u003e (Cordite), \u003c\/span\u003e\u003cem\u003eHeidegger’s bicycle\u003c\/em\u003e\u003cspan\u003e(Paekakariki Press), \u003c\/span\u003e\u003cem\u003eMelbourne Journal\u003c\/em\u003e\u003cspan\u003e (UWA Publishing), and\u003c\/span\u003e\u003cem\u003e Next to nothing \u003c\/em\u003e\u003cspan\u003e(Red Dragonfly Press). His books about books include \u003c\/span\u003e\u003cem\u003eThe printing of a masterpiece\u003c\/em\u003e\u003cspan\u003e (Black Pepper), \u003c\/span\u003e\u003cem\u003eThe books to come \u003c\/em\u003e\u003cspan\u003e(Cuneiform Press), and\u003c\/span\u003e\u003cem\u003e In search of the book as a work of art\u003c\/em\u003e\u003cspan\u003e (Opifex Books). Loney was printer at The Holloway Press at the University of Auckland, and has recently retired from Electio Editions. He published \u003c\/span\u003e\u003cem\u003eVerso : a magazine for the book as a work of art\u003c\/em\u003e\u003cspan\u003e. He has been Literary Fellow at University of Auckland, and was awarded the poetry prize in the 2016 Victorian Premier’s Literary Awards as well as The Janet Frame Literary Trust Award for a life’s achievement in poetry. Loney’s poetry has also been printed in limited editions by Granary Books, Ink-A! Press, Nawakum Press, The Press at Colorado College, Mixolydian Press, Greenboathouse Press, Ninja Press, and Barbarian Press, among others. He lived with his partner, artist and musician Miriam Morris, in Melbourne until his death in 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by Kyle Schlesinger and typeset in Fred Smeijer's Quadraat. First printing limited to 200 copies. Second printing limited to 500 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFIRST EDITION HARDCOVER 2010. SECOND PRINTING PAPERBACK 2012. 5.5x8.5. 136 pages. 2010 and 2012.\u003cbr\u003eISBN: 9780986004018\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33916789948475,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/DSC_4127-1.jpg?v=1591372614"},{"product_id":"kyle-schlesinger-commonplace","title":"Kyle Schlesinger : Commonplace","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCommonplace\u003c\/em\u003e\u003cspan\u003e was produced by Kyle Schlesinger during an artist’s residency at the Center for Book and Paper Art at Columbia College in the summer of 2011. The poem was conceived at the Collaboration and the Artist’s Book Conference in Caen and the images were produced in Chicago. Printed letterpress, the text is set in Bulmer and the images were printed in ten different colors. The accordion binding is by CJ Martin. Housed in printed Curious Metallics wraps. Signed limited edition of 26.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eILLUSTRATED HARDCOVER. \u003c\/span\u003eAccordion. 2011.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33916794863675,"sku":"","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Commonplace_8-1.jpg?v=1591390574"},{"product_id":"mimeo-mimeo-4","title":"Mimeo Mimeo #4","description":"\u003cp\u003e\u003cem\u003eMimeo Mimeo #4\u003c\/em\u003e focuses on the poets, artists, printers, and publications of the British Poetry Revival, a particularly rich period of activity that ran roughly parallel to the New American Poetry of the post-WWII era. On both sides of the Atlantic, the dominant modes of poetics, publishing, and media were being thought anew. Featuring: wide-ranging interviews with Tom Raworth, David Meltzer, and Trevor Winkfield; insightful essays by Richard Price, Ken Edwards, and Alan Halsey; a selection of letters from Eric Mottram to Jeff Nuttall providing a British perspective on the Lower East Side Scene; and a long out-of-print statement by Asa Benveniste, poet and publisher of London’s legendary Trigram Press. Cover art by Trevor Winkfield.\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 8.5x11 inches. 2011.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917716496443,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/MimeoMimeo-4_3859.jpg?v=1591390633"},{"product_id":"bumpers","title":"Bumpers","description":"\u003cp\u003eOn average, 120,000 vehicles drive over the Brooklyn Bridge every day. What if each displayed a poem that could be read by the 4,000 pedestrians and 2,600 bicyclists that cross the bridge as well? \u003cem\u003eBumpers\u003c\/em\u003e suggests that an alternative medium has the power to bring poetry to the streets. \u003cem\u003eBumpers\u003c\/em\u003e is a collection of twelve genuine crack-'n-peel bumper stickers designed and printed letterpress by Kyle Schlesinger with the assistance of Hannah King in two or three colors each. 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Alastair Johnston's thoughtful questions evoke fascinating new stories and information from luminaries as diverse as Nicolas Barker and Robert Creeley. He discusses the transition from cast metal to digital type with the prime movers in the field: Matthew Carter, Sumner Stone, and Fred Smeijers; and he takes stock of the field of artists' books in wide-ranging conversations with Sandra Kirshenbaum and Joan and Nathan Lyons, while his groundbreaking interviews with Dave Haselwood, Holbrook Teter, Bob Hawley, Walter Hamady, and Graham Mackintosh shed new light on the history of the book in the 20th century.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlastair Johnston\u003cspan\u003e (born Glasgow, 1950) grew up in Northern England. He has taught Visual Studies, Typography, Book Design at University of California, Berkeley \u0026amp; Davis from 1975 to 1986 and at U.C. Berkeley Extension from 1987–2011, where he was Honored Instructor for the Academic Year 2004. He founded Poltroon Press with artist Frances Butler in 1975, and he continues to publish original writing by contemporary authors, most recently Lucia Berlin letters. He has designed books for British Library, Oak Knoll Press, Crown Point Press, Harper\/Collins, Serendipity Books. His books include \u003c\/span\u003e\u003cem\u003eNineteenth-century American Designers \u0026amp; Engravers of Type\u003c\/em\u003e\u003cspan\u003e by William Loy (co-editor\/designer); \u003c\/span\u003e\u003cem\u003eA Discography of Docteur Nico\u003c\/em\u003e\u003cspan\u003e; \u003c\/span\u003e\u003cem\u003eTransitional Faces: The Lives \u0026amp; Work of Richard Austin, type-cutter, and Richard T. Austin, wood-engraver;\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDreaming on the Edge: Poets \u0026amp; Artists in California\u003c\/em\u003e\u003cspan\u003e;\u003c\/span\u003e\u003cem\u003e Omnia Vanitas\u003c\/em\u003e\u003cspan\u003e by Max Jacob (translator).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDesigned by Kyle Schlesinger and Alastair Johnston. Typeset in Gerard Unger's Swift 2.0. First edition of 500 copies.\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 7x9.75 inches.  274 pages. 2011.\u003cbr\u003e\u003cspan class=\"a-size-base a-color-base a-text-bold\"\u003eISBN:\u003c\/span\u003e \u003cspan class=\"a-size-base a-color-base\"\u003e978-0982792667\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917742776379,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Hanging-Quotes_3832.jpg?v=1591390990"},{"product_id":"mimeo-mimeo-5","title":"Mimeo Mimeo #5","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMimeo Mimeo #5\u003c\/em\u003e includes a lost and found essay by Paul Blackburn on the mimeo revolution, Steve Clay on Robert Creeley’s copy of Presences, Michael Klausman on the art of poetry LPs, interviews with Lyn Hejinian and Larry Fagin, Stephanie Anderson on Alice Notley’s CHICAGO, Abel Debritto on Charles Bukowski’s rise to fame, and more. Cover art by Buzz Spector.\u003c\/p\u003e\n\u003cp\u003ePAPERBACK. 8.5x11 inches. 2011.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917750870075,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/MimeoMimeo-5_3849.jpg?v=1591391047"},{"product_id":"charles-alexander-pushing-water","title":"Charles Alexander : Pushing Water","description":"\u003cp\u003e\"'[T]hrough the tunnel pushing water': the first appearance of this image in Charles Alexander's serial poem arises as if in a dream, and that sense of dream persists throughout this long and complex work ('the dream pushes up from under the water'). Yet, 'pushing water' also becomes a metaphor of body, of breath, of heartbeat, blood and brain, of consciousness itself, time and history, rendered in diverse poetic forms. Alexander embraces language and the bodies of work that comprise the touchstones of English poetry from the 'word hoard' of the Anglo-Saxons through Shakespeare and Greville, Dickinson, and Williams, Olson and Creeley. Without having done an actual word count, 'love' and 'syllable' (the beat or rhythm of the word) seem to me to be the most frequently used in this poem of love, language, and love of language.\"\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e— Beverly Dahlen\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCharles Alexander is a poet, an artist, and a book publisher. His collections of poetry include \u003c\/span\u003e\u003cem\u003eHopeful Buildings \u003c\/em\u003e\u003cspan\u003e(1990), \u003c\/span\u003e\u003cem\u003ePushing Water \u003c\/em\u003e\u003cspan\u003e(1998), \u003c\/span\u003e\u003cem\u003eFour Ninety Eight to Seven \u003c\/em\u003e\u003cspan\u003e(1997), \u003c\/span\u003e\u003cem\u003eEtudes: D\u0026amp; D \u003c\/em\u003e\u003cspan\u003e(1997), \u003c\/span\u003e\u003cem\u003enear or random acts \u003c\/em\u003e\u003cspan\u003e(2004), and \u003c\/span\u003e\u003cem\u003eCertain Slants \u003c\/em\u003e\u003cspan\u003e(2007). \u003c\/span\u003e\u003cem\u003ePushing Water \u003c\/em\u003e\u003cspan\u003ecollected Alexander’s ongoing serial poem; in the words of Patrick James Dunagan, the collection “joins the likes of Louis Zukofsky’s \u003c\/span\u003e\u003cem\u003eA \u003c\/em\u003e\u003cspan\u003eor Bernadette Mayer’s \u003c\/span\u003e\u003cem\u003eMidwinter Day \u003c\/em\u003e\u003cspan\u003eas a practiced endeavor towards meeting the daily business of living with writing: a testament to the abiding determination to have the daily practice of writing and reading serve as a guiding force through life.” Alexander is also the author of numerous chapbooks, including \u003c\/span\u003e\u003cem\u003eSome Sentences Look for Some Periods \u003c\/em\u003e\u003cspan\u003e(2013).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrained in bookmaking and letterpress, Alexander is the founder and director of Chax Press. He has taught at Naropa University and the University of Arizona. He lives in Tucson with the painter Cynthia Miller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePAPERBACK. 5.75x10 inches. 222 pages. 2011.\u003cbr\u003eISBN: \u003cspan\u003e0982792670\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917753393211,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Pushing-Water_4151.jpg?v=1591391115"},{"product_id":"mimeo-mimeo-6-the-poetry-issue","title":"Mimeo Mimeo #6 : The Poetry Issue","description":"\u003cp\u003e\u003cem\u003eMimeo Mimeo #6: The Poetry Issue\u003c\/em\u003e is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman. \u003c\/p\u003e\n\u003cp\u003ePAPERBACK. 8.5x11 inches. 2012. \u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917769285691,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/MimeoMimeo-6_3853.jpg?v=1591391355"},{"product_id":"larry-fagin-complete-fragments","title":"Larry Fagin : Complete Fragments","description":"\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eComplete Fragments \u003c\/em\u003eis Larry Fagin’s first trade edition book of poems since \u003cem\u003eI’ll Be Seeing You\u003c\/em\u003e (1978).\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"While it is to be hoped that someone is busying themselves gathering the best of Larry Fagin's earlier uncollected poems—the 'Narrative Techniques' series (and related pieces), the 'Eleven Poems' for Philip Guston—we have Cuneiform Press to thank for publishing this long-in-the-works book of Fagin's wonderful prose poems. This latter form has been Fagin's primary focus as a poet for much of the last twenty years (it is, astonishingly, almost thirty years since his last collection, the seventeen-page \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNuclear Neighborhood\u003c\/span\u003e\u003cspan\u003e), and it is a joy to have the fruits of his researches in this area collected between two covers at last. While Fagin well understands that 1+1=3, the greater mystery of his prose poems is that they are as much allover as additive works, their every sentence joined to its neighbors—and not only those—by sensible glue, which, here, is duplicitous in the very best sense: alive as in thickly a-hum. Some of the poems are antic, yes, but every 'ka-pow' is balanced—maintained in exquisite suspension, in fact-by a corresponding 'pa-dow,' such that the overall arrangement of poems—which is perfect, as you might expect—constitutes a poem in itself. Other pieces contain elements that may, upon first glance, strike the reader as arch (there \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eis\u003c\/span\u003e\u003cspan\u003e such a thing as a 'Larryism'), but this material, more often than not, is inducted into the poem via an utter delicacy of ostention: selection as caress, show and tell reimagined as intimate act. These FRAGMENTS constitute impressions taken on a writing pad that might best be imagined as a stack of index cards shot in natural light on black-and-white 'Scope; their sum is entirely equal to—but at no point a copy of—the world.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e—Miles Champion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\"Larry Fagin doesn't want to be famous. At times he's published his poems anonymously and at times insisted that his students \u0026amp; colleagues do likewise. The students insist that he is the best teacher ever or at least since X, Y or Z, all long dead (Z for centuries). The poems themselves are small, modest as Fagin is modest, yet built to last for generations. What if Cavafy were a member of the New York School? Or if Catullus had been a part of the Spicer Circle? They're powerful \u0026amp; opaque like the Barnett Newman sculpture in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e2001\u003c\/span\u003e\u003cspan\u003e, tho the design preference is that each one should be no bigger than a breadbox. I think of them as the blood diamonds of the Lower East Side. That is so not Brooklyn, you say. Exactly.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e—Ron Silliman\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"A1\"\u003e\u003cspan\u003eLarry Fagin (1937–2017) was a poet, editor, and publisher, and a great admirer of Lora Logic. His books include \u003ci\u003eRhymes of a Jerk\u003c\/i\u003e, \u003ci\u003eStabs\u003c\/i\u003e, \u003ci\u003eI’ll Be Seeing You: Poems 1962–1976\u003c\/i\u003e, \u003ci\u003eDig \u0026amp; Delve\u003c\/i\u003e (with Trevor Winkfield), \u003ci\u003eComplete Fragments\u003c\/i\u003e, and \u003ci\u003eEleven Poems for Philip Guston\u003c\/i\u003e. His selected poems, \u003ci\u003ePeaches \u0026amp; Gravy: Selected Poems 1966–2016\u003c\/i\u003e, and his selected non-poems, \u003ci\u003eSmash the State \u0026amp; Have a Nice Day: A Larry Fagin Reader\u003c\/i\u003e, were edited for Cuneiform Press \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eby Miles Champion\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eLimited edition hardcover of 26 signed and lettered by the author and artist Glen Baxter. Cover art by Baxter.\u003c\/p\u003e\n\u003cp\u003ePAPERBACK AND HARDCOVER. 5.5x8 inches. 112 pages. 2012.\u003cbr\u003eISBN\u003cspan class=\"a-size-base a-color-base a-text-bold\"\u003e:\u003c\/span\u003e \u003cspan class=\"a-size-base a-color-base\"\u003e978-0986004001\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917773119547,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Complete-Fragments_4074.jpg?v=1591391416"},{"product_id":"mimeo-mimeo-7-the-lewis-warsh-issue","title":"Mimeo Mimeo #7 : The Lewis Warsh Issue","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMimeo Mimeo #7: The Lewis Warsh Issue\u003c\/em\u003e is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded \u003cem\u003eAngel Hair Magazine and Books\u003c\/em\u003e with Anne Waldman in 1966, and went on to co-found \u003cem\u003eUnited Artists Magazine\u003c\/em\u003e and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 8.5x11 inches. 202 pages. 2012.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917775708219,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/DSC_4168-1.jpg?v=1591391454"},{"product_id":"zephyrus-image-spirit-photography","title":"Zephyrus Image : Spirit Photography","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpirit Photography: A Fireside Book of Gurus\u003c\/em\u003e (1973) by Michael Myers and Holbrook Teter is arguably the greatest book produced by Zephyrus Image. \u003cem\u003eSpirit Photography\u003c\/em\u003e is essential reading for anyone interested in photography, conceptual art, artists’ books, and the unique cultural climate of the Bay Area in the '70s. This facsimile was printed letterpress and is faithful to the original in every way, right down to the errata slip.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 2012.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917777674299,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Spirit-Photography_4004.jpg?v=1591391523"},{"product_id":"bill-berkson-terrace-fence","title":"Bill Berkson : Terrace Fence","description":"\u003cp\u003eWhile living in Bolinas, poet and revered art critic Bill Berkson produced \u003cem\u003eTerrace Fence\u003c\/em\u003e, a minimal, conceptual, yet intimate book of black and white photographs in an edition of ten or fewer. This seminal piece of conceptual photography doubling as a small-town protest gesture was reproduced in the summer of 2012 in an edition of 100. The text was printed letterpress and the photographs were reproduced from the original paste up and tipped in by hand. Each copy has been signed by the author.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in New York in 1939, Bill Berkson was a poet, critic, teacher and sometime curator, who became active in the art and literary worlds in his early twenties. \u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eHe was the author of some twenty books and pamphlets of poetry, including \u003c\/span\u003e\u003cem\u003eGloria\u003c\/em\u003e\u003cspan\u003e, a portfolio of poems with etchings by Alex Katz (Arion Press, 2005); \u003c\/span\u003e\u003cem\u003eOur Friends Will Pass Among You Silently\u003c\/em\u003e\u003cspan\u003e (The Owl Press, 2007); \u003c\/span\u003e\u003cem\u003ePortrait and Dream: New \u0026amp; Selected Poems\u003c\/em\u003e\u003cspan\u003e (Coffee House Press, 2009); and \u003c\/span\u003e\u003cem\u003eExpect Delays \u003c\/em\u003e\u003cspan\u003e(Coffee House, 2014).\u003cmeta charset=\"UTF-8\"\u003eDuring the 1960s Berkson was an editorial associate at \u003cem\u003eArt News\u003c\/em\u003e, a regular contributor to \u003cem\u003eArts\u003c\/em\u003e, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School and Yale University. After moving to Northern California in 1970, he began editing and publishing a series of poetry books and magazines under the Big Sky imprint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 5.5x8.5 inches. 36 pages. 2012.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917784719419,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Terrace-Fence_3996.jpg?v=1591391686"},{"product_id":"bill-berkson-the-far-flowered-shore","title":"Bill Berkson : The Far Flowered Shore","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Far Flowered Shore\u003c\/em\u003e (Japan 2006\/ Japan 2010) are travel books but not diaries, and would certainly not be of any use to anyone looking to find one’s way around Japanese cities.\u003c\/p\u003e\n\u003cp\u003eBoth notebooks are made by Quaderno–soft, pliable, light-weight school exercise books with blank, unlined pages, made in Italy but available elsewhere (even, it turned out, in a Kyoto department store). I filled them as usual, on impulse, scribbling down and pasting in whatever seemed worth noting, and as you see, not always about Japan. A lot of the scrawls are due to trying to write while walking.The notes cover two trips to Japan that Connie Lewallen and I made in April 2006 and again in 2010: the first to Kyoto and Tokyo, with a day trip from Kyoto to Nara; and the second to Kyoto, the “museum island” of Naoshima and Osaka.\u003c\/p\u003e\n\u003cp\u003e“Have good trip to the far flowered shore,” wrote Joanne Kyger on the eve of our second time out.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Bill Berkson\u003c\/p\u003e\n\u003cp align=\"right\" style=\"text-align: left;\"\u003e\u003cspan\u003eBorn in New York in 1939, Bill Berkson was a poet, critic, teacher and sometime curator, who became active in the art and literary worlds in his early twenties. \u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eHe was the author of some twenty books and pamphlets of poetry, including \u003c\/span\u003e\u003cem\u003eGloria\u003c\/em\u003e\u003cspan\u003e, a portfolio of poems with etchings by Alex Katz (Arion Press, 2005); \u003c\/span\u003e\u003cem\u003eOur Friends Will Pass Among You Silently\u003c\/em\u003e\u003cspan\u003e (The Owl Press, 2007); \u003c\/span\u003e\u003cem\u003ePortrait and Dream: New \u0026amp; Selected Poems\u003c\/em\u003e\u003cspan\u003e (Coffee House Press, 2009); and \u003c\/span\u003e\u003cem\u003eExpect Delays \u003c\/em\u003e\u003cspan\u003e(Coffee House, 2014).\u003cmeta charset=\"UTF-8\"\u003eDuring the 1960s Berkson was an editorial associate at \u003cem\u003eArt News\u003c\/em\u003e, a regular contributor to \u003cem\u003eArts\u003c\/em\u003e, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School and Yale University. After moving to Northern California in 1970, he began editing and publishing a series of poetry books and magazines under the Big Sky imprint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Far Flowered Shore\u003c\/em\u003e notebooks were reproduced as full-color, hardcover, facsimiles by Cuneiform Press in 2013. The 2006 and 2010 notebooks are accompanied by a third volume containing a transcript of the text typeset in Bulmer. Housed in a slipcase produced by Craig Jenson at BookLab II, one hundred copies were produced, of which fifty were for sale exclusively from Cuneiform Press. \u003c\/p\u003e\n\u003cp\u003eILLUSTRATED HARDCOVER. 3 Volumes. 2013.\u003cbr\u003eNo ISBN \u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917787537467,"sku":"","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/Far_Flowered_Shore_15.jpg?v=1591391893"},{"product_id":"mimeo-mimeo-8-curators-choice","title":"Mimeo Mimeo #8 : Curator's Choice","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eMimeo Mimeo #8: Curators' Choice\u003c\/em\u003e features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, \u0026amp; David Wolske) (2013)\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917816537147,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/MimeoMimeo-Curators-Choice_3845.jpg?v=1591392610"},{"product_id":"johanna-drucker-what-is-nine-epistemological-essays","title":"Johanna Drucker : What Is?: Nine Epistemological Essays","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“For decades, Johanna Drucker’s work—as a theorist, printer, art historian, poet, literary critic, and designer—has been set apart by her mastery in each of those fields. With the broadened perspective of recent research into digital media and complexity theory, and with a full awareness of the historical dimensions of our current understanding of ‘materiality,’ the series of nine conceptually linked essays in \u003ci\u003eWhat Is?\u003c\/i\u003e again leverages Drucker’s positions across disciplines to show us how little we know about the most familiar concepts: from letters and words to documents and books and their digital futures—and why knowing more really matters.’\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Craig Dworkin\u003c\/p\u003e\n\u003cp\u003e“In these meticulous interrogations, Johanna Drucker takes us on journeys of relentless, informed, and thorough thought regarding the nature of the mind made visible—what us graphic designers would identify with as typography or graphesis. Reading these essays through the eyes of graphic design, each one resonates with expanded understandings—for one, of typography as transformative ‘imaginative energy’ and not just thought’s mirror. I hope every MFA graphic design student will read these essays and be inspired to understand the significance of their discipline, but more importantly be inspired towards the imaginative possibilities in their work to which Drucker pays such devoted tribute.”\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Louise Sandhaus\u003c\/p\u003e\n\u003cp\u003e“In \u003ci\u003eWhat Is?\u003c\/i\u003e, Drucker traces the invisible thread that links letters to writing to books to the digital age. In so doing, she makes sense of emerging technology and the way it has insinuated itself into the culture of book making, writing, and reading. Drucker’s grand arguments are based on modest means. In this case she is starting with the humble letter. But, by probing the philosophy of language as well as the rhetoric of art, she builds toward a broader picture. In the end, her investigation concludes with nothing less than a new understanding of digital materialism.”\u003c\/p\u003e\n\u003cp align=\"right\"\u003e— Elizabeth Guffey\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohanna Drucker's activity as a scholar, writer, and artist takes many forms. Her scholarship focuses on issues of visual knowledge production, with an emphasis on visual forms of language as well as graphic communication. Her creative practice includes editioned artist's books as well as work published by others. Drucker's graphic art engages with organic materials, the aesthetics of decay, and conceptual projects. Drucker's full corpus includes a wide variety of projects, performances, installations, and exhibitions as well as publications, lectures, and teaching.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHARDCOVER. 5.75x8.25inches. 140 pages. Two-color printing throughout. 2013.\u003cbr\u003e\u003cspan class=\"a-size-base a-color-base a-text-bold\"\u003eISBN-13:\u003c\/span\u003e \u003cspan class=\"a-size-base a-color-base\"\u003e978-0986004025\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917818208315,"sku":"","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/What_Is2-1.jpg?v=1591392759"},{"product_id":"dale-smith-slow-poetry-in-america","title":"Dale Smith : Slow Poetry in America","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eSlow Poetry in America\u003c\/em\u003e, Dale Smith pursues an attitude and a world-view in which the self is experienced as a series of screens. Personal memory vanishes into temporal experiences of culture, and narrative coheres in a language that attempts to track time, the apprehension of what it means to be alive now.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDale Martin Smith is a poet, editor, literary scholar, and professor at Toronto Metropolitan University. He is the author of the poetry collections \u003c\/span\u003e\u003ci\u003eThe Size of Paradise\u003c\/i\u003e\u003cspan\u003e (knife|fork|book, 2024), a finalist for the 2025 Griffin Poetry Prize; \u003c\/span\u003e\u003ci\u003eFlying Red Horse\u003c\/i\u003e\u003cspan\u003e (Talonbooks 2021); \u003c\/span\u003e\u003ci\u003eSlow Poetry in America \u003c\/i\u003e\u003cspan\u003e(Cuneiform Press, 2014); \u003c\/span\u003e\u003ci\u003eBlack Stone\u003c\/i\u003e\u003cspan\u003e (effing press, 2007); and \u003c\/span\u003e\u003ci\u003eAmerican Rambler\u003c\/i\u003e\u003cspan\u003e (Thorp Springs, 2000). \u003c\/span\u003e\u003cspan\u003eWith Hoa Nguyen, he edited \u003c\/span\u003e\u003ci\u003eSkanky Possum\u003c\/i\u003e\u003cspan\u003e, a literary zine and book imprint, from 1998 to 2004.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePAPERBACK. 4.5x6 inches. 192 pages. 2014.\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917825286203,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/DSC_1970.jpg?v=1591392895"},{"product_id":"ted-greenwald-con-dot","title":"Ted Greenwald : Con Dot","description":"\u003cp\u003eTed Greenwald's book of poems, \u003cem\u003eCon Dot\u003c\/em\u003e, was printed and designed by Kyle Schlesinger at the Cuneiform Press between 2013 \u0026amp; 2014. The book was typeset in Dax, designed by the experimental composer and typographer Hans Reichel, and printed on a Vandercook 4 letterpress. Each copy in the edition contains four variegated images. The paper is Crane’s Lettta. CJ Martin performed the binding in Colorado Springs. There are 26 copies, each lettered and signed by the author, as well as 100 paperback copies, hors commerce.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, Ted Greenwald earned a BA from Queens College, CUNY. He has authored more than 25 books of poetry, including \u003cem\u003eLapstrake \u003c\/em\u003e(1965); \u003cem\u003eBlink \u003c\/em\u003e(1972); \u003cem\u003eThe Life \u003c\/em\u003e(1975); \u003cem\u003eYou Bet! \u003c\/em\u003e(1978); \u003cem\u003eCommon Sense\u003c\/em\u003e (1979, 2016); \u003cem\u003eWord of Mouth \u003c\/em\u003e(1986); \u003cem\u003eLooks Like I’m Walking \u003c\/em\u003e(1991); \u003cem\u003eYou Go Through \u003c\/em\u003e(1992); \u003cem\u003eSomething, She’s Dead \u003c\/em\u003e(1999); and \u003cem\u003eThe Up and Up \u003c\/em\u003e(2004). Greenwald has received grants from the National Endowment for the Arts, the Fund for Poetry, the Kulcher Foundation, and the Foundation for Contemporary Arts. He lived in New York City until his death in 2016.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eILLUSTRATED HARDCOVER. 7x11.5 inches. 68 pages. 2014.\u003cbr\u003eNo ISBN\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917829316667,"sku":"","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/CON-DOT-WEB-91-1.jpg?v=1591393528"},{"product_id":"sommer-browning-the-circle-book","title":"Sommer Browning : The Circle Book","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSommer Browning sees things we don’t see, even if they’re right in front of us. That’s what distinguishes the great thinkers of our time! They look at the stars and they ask, “How is that I can see?” They look at the color of a flower and say, “How is that this is red?” Sommer Browning looks at a circle and sees a urethra. She sees a “view of my head from a second story walk-up.” She sees the abyss. And a pizza. Her humor is so unpretentious, so unique—yet outrageously minimalistic, that it achieves a kind of scientific greatness.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Circle Book\u003c\/em\u003e shows how even the most basic shape—a circle—can be transcended by the power of language. What’s happening when we look at a circle and see the body of Christ? Something hilariously mystical.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e — Bianca Stone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eILLUSTRATED PAPERBACK. 5x6 inches. 208 pages. 2015.\u003cbr\u003e\u003cspan class=\"a-size-base a-color-base a-text-bold\"\u003eISBN:\u003c\/span\u003e \u003cspan class=\"a-size-base a-color-base\"\u003e978-0986004049\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917846683707,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/DSC_1452.jpg?v=1591393621"},{"product_id":"jim-dine-poems-to-work-on-the-collected-poems-of-jim-dine","title":"Jim Dine : Poems to Work On: The Collected Poems of Jim Dine","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited, with a foreword, by Vincent Katz.\u003c\/p\u003e\n\u003cp\u003eI swore I would never write another blurb, but Jim Dine’s \u003cem\u003eCollected Poems\u003c\/em\u003e has pulled me temporarily out of blurb retirement. The same verve that drives his paintings drives these poems, and added to it are a wonderfully goofy playfulness and a no-holds-barred, slightly scary exhilaration. Arp, Schwitters, and Picabia, move over.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e—Ron Padgett\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the flutter of blue alcohol flame a figure enters its shadow asking \u003cem\u003ewhere do you keep all the things \/ that don’t fit in your mind?\u003c\/em\u003e Characters appear, vanish, reappear in the darkness but there is no space behind language. A mountain opens and red is registered. I’ve carried Jim Dine’s first book \u003cem\u003eWelcome Home, Lovebirds\u003c\/em\u003e through many moves since 1969. Now almost half a century later I have the delight of being again in that mind. The poems are as direct as brush-strokes, as casual as conversation, as passionate as loss. The background shifts. \"The Short History of New York\" beautifully nails that. London in the 1960s is palpable; Paris, Rome, flicker. Friends share the space. \"Portrait\" is a concisely brilliant one of Robert Creeley. Kenneth Koch, a hometown boy, makes occasional appearances. But all these are tones, not the foreground that is the restlessness, the questioning, the observation inhabited by the reader. For me a particular pleasure of these poems has been the privilege of at times perceiving the world as a painter — Jim Dine made my eyes feel. \u003cem\u003ePoems To Work On\u003c\/em\u003e is not only \"NIGHT’S \/ FRIABLE \/ RAGE, but making life \/ without reason \/is the reason\/ for a \/common dream.\" Writing well worth reading.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: right;\"\u003e—Tom Raworth\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eJim Dine is an American artist whose career extends over sixty years. Since the 1950s, Dine’s expansive multimedia practice has spanned painting, drawing, printmaking, sculpture, photography, poetry, and performance. Dine was a pioneering member of the Happenings movement alongside artists such as Claes Oldenburg and Allan Kaprow, staging experimental live performances throughout mid-century New York City. His practice later crossed into art movements including Neo-Dada, Pop, and Neo-Expressionism.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThroughout his varied oeuvre, Dine embraced idiosyncratic expressions of autobiographical details; personal totems, such as hearts and robes, became frequent motifs. The artist has exhibited in New York, London, Paris, Berlin, Stockholm, Brussels, and Los Angeles.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eDine has spent the last 60 years traveling the world, sharing his time between various foundries, studios and print workshops, from Göttingen, Germany to New York and Walla-Walla in the U.S. to Saint Gallen, Switzerland. Over the last 50 years, poetry has been at the core of his practice, and he regularly gives readings and performances of his poems. \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eAn innovator throughout his long career, Dine’s vast and varied output includes paintings, assemblages, sculptures, drawings, prints, and over twelve books of poetry. His extensive practice has been the subject of more than 300 solo exhibitions around the world, including eleven major surveys and retrospectives since 1970.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eDine’s work is featured in over 70 public collections across the world, including the Metropolitan Museum of Art in New York, MoMa, Guggenheim, Albertina Museum in Vienna, Folkwang Museum in Essen, Centre Pompidou, Paris, The British Museum and Tate Britain in London.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHARDCOVER. 7.5x11.25 inches. 290 pages. Includes color illustrations. 2015.\u003cbr\u003e\u003cspan class=\"a-size-base a-color-base a-text-bold\"\u003eISBN:\u003c\/span\u003e \u003cspan class=\"a-size-base a-color-base\"\u003e978-0986004032\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuneiform Press","offers":[{"title":"Default Title","offer_id":33917848322107,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0340\/3166\/5211\/products\/DSC_1487-1.jpg?v=1605558236"},{"product_id":"kyle-schlesinger-dream","title":"Kyle Schlesinger : Dream","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eEach of the twenty-six signed copies in this variegated multiple edition is a unique print on Crane’s Lettra 100% cotton paper measuring eighteen by twelve inches. 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There are 50 copies, of which ten are for sale.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, Ted Greenwald earned a BA from Queens College, CUNY. He has authored more than 25 books of poetry, including \u003cem\u003eLapstrake \u003c\/em\u003e(1965); \u003cem\u003eBlink \u003c\/em\u003e(1972); \u003cem\u003eThe Life \u003c\/em\u003e(1975); \u003cem\u003eYou Bet! \u003c\/em\u003e(1978); \u003cem\u003eCommon Sense\u003c\/em\u003e (1979, 2016); \u003cem\u003eWord of Mouth \u003c\/em\u003e(1986); \u003cem\u003eLooks Like I’m Walking \u003c\/em\u003e(1991); \u003cem\u003eYou Go Through \u003c\/em\u003e(1992); \u003cem\u003eSomething, She’s Dead \u003c\/em\u003e(1999); and \u003cem\u003eThe Up and Up \u003c\/em\u003e(2004). Greenwald has received grants from the National Endowment for the Arts, the Fund for Poetry, the Kulcher Foundation, and the Foundation for Contemporary Arts. 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This collection is an invaluable tool whose very presence is a brilliant example of its subject.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003ci\u003e— \u003c\/i\u003eSteve Clay\u003cbr\u003eGranary Books\u003c\/p\u003e\n\u003cp\u003eThe essays collected in this volume originate from a symposium that took place at the University of Caen, France, in March and April 2011, entitled ‘Collaboration and the Artist’s Book: a Transatlantic Perspective,’ one of the first in Europe to be organized for literary and cultural studies. The participants included American poets and artists who have produced significant work in the field (some since the sixties), together with American and French scholars, independent publishers of artists’ books, and library and museum curators.\u003c\/p\u003e\n\u003cp\u003eContributors include: Anca Cristofovici, Barbara Montefalcone, Antoine Cazé, Olivier Brossard, Michael Siebenbrodt, Vincent Katz, Bill Berkson, Susan Bee, Raphael Rubinstein, Gervais Jassaud, Pascal Poyet \u0026amp; Françoise Goria, Kyle Schlesinger, Antoine Coron, Constance Lewallen, Charles Bernstein \u0026amp; Richard Tuttle.\u003c\/p\u003e\n\u003cp\u003eEdited by Anca Cristofovici \u0026amp; Barbara Montefalcone.\u003c\/p\u003e\n\u003cp\u003eILLUSTRATED HARDCOVER.  8x10 inches. 198 pages. 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