Bill Berkson : The Far Flowered Shore

The Far Flowered Shore (Japan 2006/ Japan 2010) are travel books but not diaries, and would certainly not be of any use to anyone looking to find one’s way around Japanese cities.

Both notebooks are made by Quaderno–soft, pliable, light-weight school exercise books with blank, unlined pages, made in Italy but available elsewhere (even, it turned out, in a Kyoto department store). I filled them as usual, on impulse, scribbling down and pasting in whatever seemed worth noting, and as you see, not always about Japan. A lot of the scrawls are due to trying to write while walking.The notes cover two trips to Japan that Connie Lewallen and I made in April 2006 and again in 2010: the first to Kyoto and Tokyo, with a day trip from Kyoto to Nara; and the second to Kyoto, the “museum island” of Naoshima and Osaka.

“Have good trip to the far flowered shore,” wrote Joanne Kyger on the eve of our second time out.

— Bill Berkson

Born in New York in 1939, Bill Berkson was a poet, critic, teacher and sometime curator, who became active in the art and literary worlds in his early twenties. He was the author of some twenty books and pamphlets of poetry, including Gloria, a portfolio of poems with etchings by Alex Katz (Arion Press, 2005); Our Friends Will Pass Among You Silently (The Owl Press, 2007); Portrait and Dream: New & Selected Poems (Coffee House Press, 2009); and Expect Delays (Coffee House, 2014).During the 1960s Berkson was an editorial associate at Art News, a regular contributor to Arts, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School and Yale University. After moving to Northern California in 1970, he began editing and publishing a series of poetry books and magazines under the Big Sky imprint. 

The Far Flowered Shore notebooks were reproduced as full-color, hardcover, facsimiles by Cuneiform Press in 2013. The 2006 and 2010 notebooks are accompanied by a third volume containing a transcript of the text typeset in Bulmer. Housed in a slipcase produced by Craig Jenson at BookLab II, one hundred copies were produced, of which fifty were for sale exclusively from Cuneiform Press. 

ILLUSTRATED HARDCOVER. 3 Volumes. 2013.
No ISBN